Tuesday, 3 August 2010

Resurrection

And so on to the third sub-sub section of the potted musical passion, the resurrection.  

Firstly I wanted it to burst in with a big loud angelic chord.  There is a cymbal and timp to define a sharp edge to the "bursting forth" and I think nothing says angels like choral sounds and brass instruments.  The chord I used was created by sticking my hands on a keyboard and thinking "now that sounds good".  Actually I'll go further than that and say I'm pretty proud of the chord, but it's hard to describe.  Technically one of the possible names would be "Dm7+4/A" (chords with more than 4 notes usually have at least 2 or three possible names), but that doesn't really describe how it works.  Another way to describe it is that you start on a low A and play four more notes at intervals of a fourth above each time - A-D-G-C-F.  The sounds I used where a trumpet (for the brassy effect) and a mellotron choir (for the choral effect).  Both sounds fade into heavy reverb which makes them dissipate nice and spaciously.

Then I bring in electric guitar chords - the chord used is A9/E (which got used in a sequence back when I was doing "time") and is a new friend.  Again two guitars, one for each ear, and the chord is gently stroked on alternate sides.  However each side is taken through some fairly ethereal effects which make the whole thing very spacey.  Under this a synth (absynth) using the same sound as was used for a "still small voice" back in the "God the father" sub-section, arpeggiates the same chord, and finally a floaty flute sound (Turkish ney to be precise) plays a floaty line with fading in and out reverb.  The end effect is of a loud, bright ethereal angelic shininess.

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