This is phase 2 pass 2 and I have officially named this pass "if in doubt add a sound effect". I have always loved sound effects in music and so here we go.
Lots to report, I have finished track one. I have added rain at the start (not sure about it yet), and a steam train between sections 1 and 2 (very sure about it).
In section 2 I have slightly unhumanised the flute, I reckon it was slightly over-humanised.
In section 3 I have reworded the Xylophone solo so it makes more sense and is less random. Funny you didn't notice that when it was too quiet to hear. I've also microedited shaker, guiro, bass and guitars for timing. Once you have started microediting you never go back. It makes such a difference.
In section 4, I have changed the lead-in note to a chord, and done lots of work tidying the whistle which replaced the organ. And then spent ages trying to get a mixdown - it kept crashing. Theis was the point where it started to come home to me how far I have yet to get, and how close my slef-imposed deadline for release is (11.11.11) Eventually I fixed it by combining the whistle back into the 1st instance of the sampler. Unfortunately the process seemed to kill my pitch bends, so I will need to revisit them at some point.
In section 5 I did one micro-edit where the guitar solo hesitated slightly. Microediting is my new best friend.
in section 6 there was no substantial changes
in section 7 the big thing was the electric violin which had replaced the electric piano. It seems to be a theme that when I chuck something out and replace it, then that will need some work when I come back to it. In this case, the tuning was really annoying me - the clever sampler I have which bills this as "fiddle" has some tuning modification to make it sound authentic. In other words, when played with other instruments, it sounds wrong, so I found the switch marked "switch" which turned that effect off. Much better. Add a little chorus to thicken the sound up a little and Bob's your Auntie.
in section 8 I dealt with a brass band off to the side (I sorted out the panning) and tried to deal with some solo trumpet issues but eventually left it. This is a section where I am fighting with the sampler to make it behave well, and for once I can say "it'll do" because it's not really bad.
And in section 9 the only substantial change was to replace the old bit of reversed stuff from the start of the track with the new version.
All through there are slight modifications to volume and tone which I have not bothered to tell you about because they are manifold, important, but boring.